17 132 безплатни аудиофайлове за "Audio Files Of The Nutcracker"

Danse sacrée, L 103, pt. 1, written by w:Claude Debussy, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Македонски: Свештен танец (L 103), I дел од Клод Дебиси. Deux Danses pour harpe et orchestre, część 1. Danse sacrée L. 103/1 Claude’a Debussy’ego w wykonaniu Orkiestry Kameralnej Korpusu Piechoty Morskiej Stanów Zjednoczonych pod dyrekcją mjra Jasona K. Fettiga i st. sierż. Karen Grimsey solo na harfie. Claude Debussy. Danse sacrée, L 103, pt. 1, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpe soliste le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Danse Profane, L 103, pt. 2, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Claude Debussy. Danse Profane, L 103, pt. 2, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpiste soliste, le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

Beethoven's Military March No. 1 in F, "Yorcksher". Conducted by Capt. Michelle A. Rakers.

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

O Come, O Come Emmanuel performed by the Diplomats of the United States Air Force Band. Track 8 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

A faster-tempo stereo recording of the Internationale in the Latvian language, with unknown performers.

A stereo recording of the Internationale in the Georgian language, performed by "ინტერნაციონალი" სიმფონიური ორკესტრისათვის დაამუშავა დიმიტრი შოსტაკოვიჩმა and edited onto an instrumental recording by the Orchestra of the Bolshoi Theatre.

Wagner - Leitmotiv des Wälsungs

A stereo recording of the Internationale in the Ukrainian language, with unknown performers.

Adapted from the hymn tune "Cranbrook" by Thomas Clark, first published 1805.

The State Anthem of the Union of Soviet Socialist Republics, played on a virtual keyboard.

Canto a la Bandera (Corta)

Canto a la Bandera (Completo Letra)

Believe Me, If All Those Endearing Young Charms performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 13 from Contrasts (2007).

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

Battle Hymn of the Republic performed by the U.S. Coast Guard Band

National Emblem performed by the Concert Band of the United States Air Force Band of the Rockies. Track 8 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Bombasto performed by the Concert Band of the United States Air Force Band of the Rockies. Track 5 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

America (My Country 'Tis of Thee) performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 10 from Ceremonial Music (1993).

Falcon Fight (the United States Air Force Academy fight song) performed by the Concert Band of the United States Air Force Band of the Rockies. Track 10 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Sleepers, Wake! ("Wachet auf, ruft uns die Stimme", BWV 140) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 9 from Contrasts (2007).

March Grandioso performed by the Concert Band of the United States Air Force Band of the Rockies. Track 7 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Edison Amberol cylinder n° 479 recorded by Stella Mayhew.

St. Julian performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

The Battle Hymn of the Republic performed by the Singing Sergeants of the United States Air Force Band. Track 20 from the band's 1995 album The Singing Sergeants 50th Anniversary (1945-1995). Also published as track 14 from Heritage to Horizons (2007).

Wachet Auf! ("Wachet auf, ruft uns die Stimme", BWV 140) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Brassfare (2000).

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.

sound sample of the 1812 Overture

TBFG's first single

中文：培元独立中学校歌。

Roy Harvey performs the traditional old-time song "Milwaukee Blues" Roy Harvey singt das traditionelle Old-Time-Lied "Milwaukee Blues"

Himno del Colegio la Salle. Marcha de La Salle

A quirky public domain piece of music by the late British musician Harry Roy.

The traditional country song Nine Pound Hammer, performed by Jimmy Dean during a live appearance

中文：山东科技大学校歌

The traditional breakdown Down Yonder played by the Scottdale String Band Der trdaitionelle Breakdown Down Yonder, gespielt von der Scottdale String Band

Instrumental composition using violin, piano and tabla based on Hindustani classical music, credited to P.S. Mukherjee of Kanpur. Recorded around 1930-31 in India Taken from 78 rpm disc: TWIN FT12220 OMF. 4368 Digitised by: Moloy Ghosh Credits: Debamitro Chakraborti

An example of a simple song created with the basic GarageBand instruments. This was made in GarageBand 10.0.3 without the extra sounds pack.

The Lone Star Trail is a traditional folk song that dates back to the late 19th century. This version was recorded by Ken Maynard (1895 - 1973) on April 14, 1930 in Hollywood, CA for the Columbia Graphophone Corp.

Parrallelism in music (example).

Example of modulation to the dominant from vocal music (1836).

日本語: 夢の南十字星

The traditional fiddle song "White House Blues", performed by Charlie Poole and the North Carolina Ramblers. Later on, the tune became a well-known bluegrass standard. Das traditionelle Fiddle-Stück "White House Blues", gespielt von Charlie Poole und den North Carolina Ramblers. Der Titel wurde später zu einem beliebten Bluegrass-Song.

The traditional country song Little Bessie, performed by the Alabama Barnstormers (a duo which consists of country singers Tom Darby [vocal, guitar] and Jimmie Tarleton [vocal, steel guitar]). (The Alabama Barnstormers name was used for other US country acts reissued on Regal Zonophone)

Electronic music produced using 8-bit sounds and modern production software/drum samples

Peter Dawson singing "Down Among the Dead Men" - 1909 Other information catalog entry: http://trove.nla.gov.au/work/35170144?selectedversion=NBD43796292

The traditional country song Ragged But Right, performed by (alias Wilf Carter)